Saturday, May 15, 2010

Painting of the week - Still Life #30 by Tom Wesselmann

Tom Wesselmann, Still Life #30, 1963
Museum Of Modern Art, NYC
(Source)

This week's painting (of sorts) is inspired by Mischka who enjoyed herself muchly in NYC and in MOMA. (In contrast, we all know how I felt.) Like much of Wesselmann's other work from the 60s, Still Life is a combination of painting, sculpture (that's a real fridge door with 7-UP bottles), and collage of of commercial labels he found on the street. The use of those popular objects, combined with his bright coloured scenes of domesticity, meant he was grouped as a Pop Artist with his contemporaries, Andy Warhol and Roy Lichtenstein.

Wesselmann himself disliked the label as he believed that while his works celebrated popular culture, his work was also a modern reimaging of genre types.
Still Life #30 reflects not only the tradition of depicting inanimate objects that the name reflects, but also landscape through the scene out of the window, and the nude - the positioning of the two oranges near the tower is no mere coincidence!

3 comments:

Unknown said...

awesome! ...seriously..how do you know all this stuff...amazing!!!

Anonymous said...

sorry, I don't really understand what the 2 oranges near the tower ?
I'm probably strange, but I don't understand. (Sorry for my English: I'm french !) ;) thanks !

Anonymous said...

Les deux oranges ressemblent à des seins.Je pense que c'est un clin d'oeil à ses "Great Americain nude"